Designer

Ami Spring 2015 Menswear

A school bell sounded as a loud crush of teens spilled from classrooms above into seats opposite the audience, a straggler in a red knit cap triggering applause. This was the start of class and Ami’s Spring men’s collection.

Designer Alexandre Mattiussi said he’d been watching the American TV shows Saved by the Bell and Beverly Hills, 90210, as well as the French teen-pulp hit Premiers Baisers. High school, high-camp melodrama! You can imagine him absorbed in hours-long Netflix marathons. The Breakfast Club, that oft-cited source of teen self-discovery, also came into play. “Really, I just wanted to have fun,” he enthused after the show.

Indeed, this was a joyous, energetic ode to teen spirit. Schoolboy stripes in sporty team colors set the raucous tone, punctuated by heart prints and smiley-face badges on baggy basics. Ever present was that classic campus uniform of the two-buttoned blazer over a starched cotton button-down, here untucked, and shorts. T-shirts came in bold two-tone combos and track shoes in “Sour Patch” colors, said Mattiussi, who’d clearly done his homework.

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Michael Bastian Spring 2015 Menswear

“The Southwest is a little bit of a challenge,” said Michael Bastian at his studio in New York’s Chelsea neighborhood. “I really wanted to avoid all the clichés—no cowboy, no poncho, no fringes. You know, how real guys in that part of the U.S. would dress, or my dream of how they would dress.” For Spring 2015, Bastian took his collection of sportswear to Arizona. “Maybe because I grew up in Rochester, but the desert Southwest to me is exotic,” the designer said.

Clichés were mostly avoided, but not entirely. There were embroidered Western shirts, suede outerwear, and bronze feather accessories from the George Frost x Michael Bastian collaboration. The best expression of the theme was in the dusty hues, soft, textured fabrics, and faded denim. As always with Bastian, the tailoring stood head and shoulders above the rest of the collection. Sharp suits in a linen-blend “denim,” plaid, herringbone, and windowpane were the highlights. All kinds of trousers were reimagined in typical Bastian fashion. Riding pants and cargos were stripped down; motocross pants were made summery in faded canvas and denim; and slim, tapered sweatpants were done in gray piqué.

Bastian’s vision for guys in the Southwest favored glamour over ruggedness. There was something louche in the mostly unbuttoned shirts, short shorts, and, of course, the quintessential Michael Bastian racer swimsuit. But the ease of the collection was almost too easy. The designer might have successfully avoided clichés, but all of the softening and fading seems to have removed the grit that makes the Southwest special.

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